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Explanation of the Omnicentricty

Recent discoveries in quantum and astrophysics have completely destroyed the Newtonian/Cartesian notion of ourselves floating around in a fixed three dimensional space. We even thought we had pinpointed its exact center where the infamous big bang supposedly occurred. Our universe is multidimensional, its center being everywhere, with all of its manifestations containing within them everything else just as every pixel of a hologram contains within it the image of the completed whole. Thus modern science is approaching the conclusion, which ancient peoples had intuitively understood, that all is one in this vast unfolding singularity. The image before you attempts to convey this idea. Setting the scale for the painting are the thirteen large blue and green circles each intersecting at their centers forming a stage of the flower of life. This sacred geometric form is the higher dimensional morphogenetic template that all creations filter through before attaining physical manifestation. The flower of life has been discovered in ancient sacred archeological sites including temples in Egypt and Tibet. So then the question arises, what could these civilizations who were supposedly inferior to our own be doing with such forms and why would they have them on their temples, many of which still stand today thousands of years later.

Arising from the intersections within the flower of life is the Kabalah, or Tree of Life, as seen with the dark blue lines and small spheres. Used for centuries mainly in the Hebrew tradition, the Tree of Life has many interpretations and practices. It is comprised of three columns denoting Wisdom, Beauty and Strength, ten Sefirot of cosmic archetype, and the pathways between them each of which having its own significance and meaning. The Tree of Life is also intimately connected with Tarot, astrology and magick, so one can begin to see how vast and expansive this symbol is.

In the vertical line connecting the top and bottom of the flower of life is a row of twelve spheres, two not visible in the center, with two bands of smaller green spheres winding around it. This is a crop circle formation appearing in Glastonbury England in 1997. This as well as all other genuine crop circles, where the grass simply bends at its node and weaves itself into many layers, is a complete mystery to conventional science. Many theories are out there and I have my own, but one must keep asking themself until they come to an acceptable conclusion. I chose this formation in particular due to its embedability within the flower of life using circles of half the diameter. This two dimensional form when placed into three dimensions has the appearance of a side view of the double helix, the geometric structure of DNA. The twelve globes may represent the twelve strands of fully activated DNA, whose evolving progression is seen in the two helical golden spirals emanating from the center out to the center top and bottom of the painting. The twelve colored spheres also represent the twelve energy centers, called chakras in Hindu tradition, that are within and outside of our bodies. There are also twelve notes in the musical scale which can extend to any and all other vibratory systems.

Also nestled into the flower and Tree of Life is the star tetrahedron. This three dimensional polygon is formed by two intersecting tetrahedrons which is the most basic of the platonic solids where each face, angle, and edge is equal. There are a total of five platonic solids including the tetrahedron, the cube, the octahedron, the icosahedron, and the dodecahedron. These forms are found all throughout nature ranging from crystals, atoms, and molecules to flowers, animals, and microscopic organisms. Like the star tetrahedron, each of the geometric forms and their natural counterparts arise from the circular arrangement of the flower of life.

The star tetrahedron is of particular interest because its role within bodies of consciousness. Our own bodies are surrounded by a star tetrahedron energy field called the Merkaba which means light body. Existing on another perceptual level, this field becomes outwardly visible in other bodies including that of stars and planets. For instance, major storm activity occurs on the planets Jupiter and Neptune and is visible on satellite photographs at precisely 19.5 degrees north and south latitude. These are also the latitudes on our sun where the majority of solar flare activity occurs. This latitude is what is found when a star tetrahedron is superimoposed over a sphere with its horizontal planes intersecting at 19.5 degrees. This knowledge, recently rediscovered, was known to ancient cultures and utilized in many ways of which we are now beginning to access. To preserve this knowledge the ancients employed metaphorical myth to be orally passed down through the generations. Of these the most well known is the correlation between the twelve points of the star with the twelve disciples of Jesus and Jesus himself being the fully activated star's totality.

Over the star lies the overhead view of Stonehenge in its original structural form. This ancient megalithic stone structure found in Great Britain was the site for countless astronomically timed ceremonies and is dated to pre-Druidic times. Thousands flock to this site yearly to witness its wonder while the Druids continue to perform annual ceremonies there. An astronomical observatory, Stonehenge was built around the equinoxes and solstices of our sun as well as other astral alignments. This structure as well as many of the pyramids in Egypt, China, Central America, and elsewhere give testament to the hightened wisdom of the ancients and proves that progress is not as linear as generally assumed. Inside the bounds of Stonehenge rests a snowflake. A crystallized water molecule, the snowflake forms itself around the geometry of the six pointed star never repeating the same organizational pattern twice. Further in one sees the golden honeycomb formed by interlocking spaces shaped together using the same hexagonal geometry. Bees, wasps, and hornets choose this form for storage as it is the most energy efficient and has the greatest volume to area ratio. Because of these properties, the hexagon is used in modern technology including mirrors for optical telescopes and heat panels for the space shuttles. Lying behind the star tetrahedron and the flower of life is the Stargazer lily. This beautifully evolved flower is not only the embodiment of pure elegance but, like the snowflake and honeycomb, grows along the geometric forces of the star tetrahedron. These are just three of all the physical manifestations on this three dimensional grid that can be seen to fit perfectly into the flower of life sacred geometric form.

Also included in the painting is ancient symbology. The Eyes of Horus can be seen around the inner six pointed star. This Egyptian symbol represents universal consciousness as well as their mystery schools of initiation. The black and white symbol between the stargazer lily and the star tetrahedron is the Mayan Hunab Ku. Defined as the giver of movement and measure, the Hunab Ku is the primal intelligence that pervades the entire universe. Of virtually the same meaning and form is the ying yang which is created as the activating DNA spirals out from the center and crosses Stonehenge. This Chinese symbol represents the everchanging and omnipresent Tao with its yin and yang polarities in constant flux yet in constant balance.

From each of the four corners moving in towards the center and then back out to the sides is the Mayan Tzolkin. This is the fractal energy time template that is the heart of the Mayan calendar. Forming a period of 260 kin, each kin representing units of time on all scales, the Tzolkin cycles to form the most astronomically accurate calendar ever. The Mayans were even aware of cycles as grand as the 26,000 year cycle of the precession of the equinoxes which describes our path along the ages of the zodiac. This cycle, engineered into the Tzolkin, will be ending and beginning on December 21, 2012 having great implications to the earth and mass consciousness. The Chinese I Ching, also a highly accurate time cycle record and divinatory tool, marks this precise date as well so I would definitely advise marking your own calendars.

The center of the star tetrahedron convergence and the center of the painting represent many things. First glance will reveal the carbon atom with its twelve subatomic protons and neutrons within its nucleus and six orbiting electrons. Because its currently understood form of a probability cloud would obscure the rest of the painting, I chose the conventional model of the atom. As is commonly known, the carbon atom is the structural basis of all organic life on this planet because of its geometry of valence electrons. Carbon usually forms a ring of six carbon atoms in the shape of a hexagon represented here by the six spheres at the tips of the star tetrahedron. So one can see here that from the microcosm to the macrocosm, all physicality arises from the flower of life. The mighty gaseous body at the center of our solar system, our sun, also rests in the center with all the planets orbiting around it on the lower left to upper right diagonal axis. Also included is the planet Nibiru which ancient Sumerian clay tablets have record of with its 3600 year skewed orbit around our sun. This planet supposedly contains the higher dimensional Annunaki inhabitants and enters our solar system and into our consciousness for a short duration of its orbit. The painting's center is also the center of our Milky Way galaxy which our solar system orbits over millions of years. Housing millions of solar systems like our own, is it not highly probable that life exists within them, especially considering the Milky Way galaxy with its millions of suns like our own is only one of the many millions of galaxies that are within the universe. And just like we are connected to the air we breathe and the land we walk on we are just so connected to all of these other solar systems and galaxies. The physical separateness we often perceive of these bodies as well as everything else is complete illusion. And last but not least, the center is also the central and brightest star of the Pleiades constellation, Alcyone. The six sisters of Alcyone are the brighter crossed stars surrounding it. This is a very important star as it is a vital link with our sun and many other star systems. Many people claim heritage to this star system including the Mayans. One of the Pleiadian stars is actually named Maya and many of the Mayan pyramids and observatories track the movements and cycles of the Pleiades. The Tzolkin itself is created by the geometric relationship of our earth, our sun, and this star Alcyone. But in a sense, all these things described and everything else lie at the center, the center of our very being. From the smallest atom to the largest galaxy exists pure potential for forms to arise from the chaos, manifest themselves, and return back. Just as we create the space we live in we create the time we live in. With this in mind, we can cocreate a single spacetime where we are all part of one single unit and restore a sense of harmony and a feeling of omnicentricity.

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